Um.
To start with, the opening titles used the same font as "The Mary Tyler Moore Show." I half-expected one of the little goblin guys to throw a hat into the air and freeze-frame. I guess back in '73 that font was all the rage, but now...let's just say it hasn't aged well.
But anyway, the movie begins with creepy whispers and a gorgeous house and then Kim Darby and her husband, Jim Hutton move in (and immediately hire a hotsy-totsy decorator, because that lime-green rug and avocado-green fridge aren't going to magically appear by themselves!) The handyman/exposition guy (William Demarest, the original crotchety old man) immediately goes into his "You can't open up the mysteriously blocked fireplace in the creepy locked room" spiel, conveniently not realizing that women are curious, stubborn, silly little creatures who just won't take no for an answer. Yeah, so what if the ash gate is BOLTED SHUT--why bother to give her an explanation for it. Just tell the broad to keep her nosy nose out of it and leave it at that. It'll be fine.
Of course, Kim Darby is going to pout and poke around and eventually get that stupid old grate unbolted (because she is a liberated '70s woman--at least that's what her husband has told her), but she accepts the fact that her dream of a cozy little firelit dungeon is beyond her reach, la-dee-dah, let's go fix dinner for hubby.
Cue spooky avocado-green lights (seriously, people...did EVERYTHING have to be avocado green?) and glimpses of weirdness and Kim Darby is already on the tremulous edge. Jim Hutton, of course, is the no-nonsense man of the house who has no time or patience for his silly wife's histrionics. Even when she SEES a tiny little monster hand grabbing her dress, he dismisses it--because after all, they have a uber-important '70s dinner party to host so he can get his promotion and he can't have his boss finding out that his wife is secretly a witch! (Nope, sorry...wrong trope).
Long tv-movie short, the little things from the fireplace have a serious jones for Kim Darby for some reason, and they pretty much gaslight her until Jim Hutton is about to keel over from apoplexy over her silly panic attacks. What's a concerned husband to do but fly off for an overnight meeting, leaving her alone in the very house that is terrifying her? It's for a promotion, people! Priorities!
I won't give away the ending if you haven't seen it, but...man, I sure did remember it being scarier than that. Now, the scariest thing in the movie was how much of a dick her husband was to her. He treated her like a stupid child for pretty much all of the movie--even waggling his finger at her when she does something that ruins his precious dinner party. I think if I were Kim Darby, I would've cut a deal with those creatures to pay hubby-dearest a visit one night. Then we'd see who was paranoid.
I remembered the creatures as being scarier, too. Instead, we get a prune-headed dude in the gorilla-suit last seen in Robot Monster. Actually, we get three of them. Not exactly an overwhelming army of the damned. In fact, if she'd just put on her sensible pumps and did the Mexican Hat Dance, she would've solved all her problems and burned off a few calories at the same time.

I mean seriously...scared yet?
Del Toro's doing the remake, which is due in 2011, and I've gotta say...it looks pretty freakin' good. And it looks like he's going to supply some backstory, too--like where the goblins came from, what they want, why do they live in a fireplace. Seriously, I craved exposition like chocolate. Why did her grandmother leave her the damned house in the first place if she wasn't supposed to let the goblins out? Why not just raze the place and salt the ground or something?
Anyway...my memories of the original have been sullied by cruel, cruel reality. It's not a bad movie, just a very dated and imperfect one. Don't be afraid of the dark...be afraid of the mini, prune-headed monkey-men in it.
